Jean-Paul Sartre (1905-1980) is
probably the most famous public intellectual of the
20th century. However, his philosophical work has
been out of fashion for over two decades. This is
particularly true of his 1960 book Critique of
the Dialectical Reason. Published at the height
of destalinisation and the national liberation struggle
in Algeria, the book was an attempt to develop an
existential Marxism. While it was a major intellectual
event in its time, few express interest for the book
four decades later. With the centenary of Sartres
birth approaching, Verso republished the book last
month in a new revised edition, with a major original
introduction by Frederic Jameson. While this will
allow a new generation to rediscover this forgotten
work, it is open to question whether this will be
sufficient to give existential Marxism a new lease
of life.
In
the first volume of the Critique, Sartre attempts
to specify philosophical principles for the intellegibility
of history. The book offers a philosophical grounding
for historical science, "a prolegomenon to
any future anthropology" (153), in order
"to determine the formal conditions of history"
(743). The subject of history proper would be
analysed in a second volume. From the outset Sartre
creates a sharp dualism between natural sciences relegated
to positivist reason and dialectical reason which
solely applies to history and the human sciences (10).
Therefore, for him "there is no such thing
as intelligibility in the sciences of nature"
(160). Such an opposition between analytical and
dialectical reason is based on an uncritical acceptance
of positivist definition of science and understanding
of nature, which have been undermined since by philosophies
of science like critical realism. For Sartre, Marxism
must start its analysis of history from individuals
and their actions. His aim is to demonstrate that
History is a totalisation without a totaliser.
If we do not wish the dialectic to become
a divine law again, a metaphysical fate, it must proceed
from individuals and not from some kind of supra-individual
ensemble. (131) Sartre's basic question
was how historical processes could be rationally intelligible
if they were composed of a multiplicity of individual
'projects' clashing with each other. His aim was to
explore how the "different practices which
can be found an located at a given moment of the historical
temporalisation finally appear as partially totalising
and as connected and merged in their very oppositions
and diversities by an intelligible totalisation from
which there is no appeal." (754)
The
categories requisite for a dialectical understanding
of any history were to be employed by Sartre to trace
the movement of history, in an ascent from the abstract
to the concrete. Sartres categories are elementary
formal structures of any history, referring
to the invariant elements of the historical process
which exist at a deeper level than the mode of production.
Those categories are subject and object, human action
and material things between which there is a dialectic.
Intentional activity, whether individual or collective
is called Praxis by Sartre. It involves
a project and totalisation.
The freedom of human subjects is limited by pervasive
material scarcity. "Scarcity is
the fundamental relation of our History and a contingent
determination of our univocal relation to materiality."
(202) Scarcity is both the catalyst of history and
the fundamental relation in all societies. It is due
to scarcity that human relations are antagonistic,
that the human is transformed into anti-human, the
subject into the object, human actors become like
things:
In
pure reciprocity, that which is Other than me is
also the same. But in reciprocity modified by scarcity,
the same appears to us as anti-human in so far as
this man appears as radically Other -that is to
say, as threatening us with death. (208)
Thus,
"violence as a negative relation between one
praxis and another characterises the immediate relation
of all men" (225). Scarcity no longer becomes
a historical phenomenon, but an ontological category.
Sartres arguments is more akin to Hobbes than
Marx. With scarcity, praxis becomes an inert reality.
Sartre calls the pratico-inert when praxis
becomes alienated and reified. Social relations under
scarcity are serial, people see each other
as objects. In series, such as a bus queue for example,
individuals are united by an inert object. At the
opposite pole, the fused group is opposed
to institutions and its project is freedom. A group
in fusion are people who are united in a common
project, such as the crowds taking over the Bastille.
But with the pressure of an environment dominated
by scarcity, it has to organise, become an institution,
which fatally leads to organisational inertia -seriality
returns.
Sartres
pessimistic conclusions are summed in the following
sentences:
Such
ultimately, are the limits of praxis: born to dissolve
series in the living synthesis of a community, it
is blocked in its spatio-temporal development by
the untranscendable statute of organic individuality
and finds its being, outside itself , in the passive
determinations of inorganic exteriority which it
had wished to repress in itself. It is formed in
opposition to alienation, in so far as alienation
substitutes the practico-inert field for the free
practical field of the individual; but it cannot
escape alienation any more than the individual can,
and it thereby relapses into serial passivity.
(635-636)
All
we are left with are infernal circularities
(161).
In
the second volume, Sartre was to demonstrate the existence
of one human history with one truth and one
intelligibility (156). But Sartre had great
problems showing how particular class struggles were
moments of one totalisation. That is one of the reasons
he never completed the project. The example he had
selected in the second volume was Soviet history.
Sartre was unable to explain how the multiple conflicts
in Soviet society ultimately wrought any structural
unity. As Perry Anderson once noted (1),
in the absence of any extended explanatory principles,
Sartre has to come to the conclusion that Soviet society
was held together by the dictatorial force of Stalin,
imposing a repressive unification of all conflicting
praxes within it. Paradoxically, history thus becomes
totalisation with a totaliser
This clearly proves
that there are major problems with Sartres arguments
in the Critique. (2)
If
Sartre insists that everything is the product of the
social activity of practical ensembles, the first
question is whether there is only totalisation. Secondly,
it is difficult to see how a multiplicity of individual
acts can give birth to structures which have their
own laws discontinuous from the acts which gave rise
to them. The most obvious example is language, which
cannot be described as a simple totalisation of all
the speech-acts of linguistic agents. The subject
who speaks never totalises linguistic laws by his
own word. Language has its own intelligibility as
a system. A tribe can speak a language for centuries
and then be discovered by an anthropologist who can
decipher its phonological laws which have been unknown
to the totality of the subjects speaking the language.
Thus social facts are not simply a totalisation, and
have an intrinsic order of their own which is not
deductible from the criss-crossing of individual totalisation.
There
are thus major theoretical difficulties with Sartres
attempt to construct an ordered set of social structures
from a multiplicity of individual acts: if fundamental
historical processes, the structure and evolution
of societies are the involuntary resultant of a plurality
of individuals and groups clashing together, what
can explain their ordered nature instead of random
chaos? Sartre must believe in some sort of pre-established
harmony between them. It is not possible to generate
structural unity at the level of intention. The laws
of grammar or relations of production are not intentional
objects, they are discontinuous from linguistic utterances
or the political and historical actions of individuals.
Sartres problematic conceptions of science,
history, language or the unconscious are major obstacles
for a revival of the Critique, obstacles that even
Frederic Jamesons major introduction to this
new edition is unable to remove. Existential Marxism
is not the unsurpassable horizon of our times
(1)
Perry Anderson, Arguments within English Marxism
(London: Verso, 1980), p.52
(2) Well pointed in Sartres interview Itinerary
of a Thought in New Left Review (Issue
58 Nov-Dec 1969) on which the points raised above
are based
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